When times are crazy and uncertain, it’s important to find things that will bring you joy, peace, escapist fun, hope and many other positive intangibles that make life worth it. 2020 was a tough year for us all, and I was no exception. It’s probably why it’s already well into January, 2021 and this is now coming to you all. Television and movies became even more of a staple in my household and I consumed a great deal, from new shows that captivated and delighted me, to re-watches of some all time favorites which brought a sense of comfort and reinvigorated my love for them. The world may be uncertain but the television I loved this year brought a sense of normalcy and happiness whether it be a fictional, documentary series, TV movie or what not. These were my favorites…
Drama or Comedy Series
Virgin River (Netflix)

Without a doubt my favorite fictional series of the year was Virgin River. Beautifully filmed and performed, this show follows a Nurse practitioner who goes to work in the small town of Virgin River after some tragic and traumatic events in attempt to revitalize herself and her life. She must deal with the old fashioned doctor who does not want her there, finds kinship with a charming bartender, and learns to rekindle her heart and soul through her work and the small town cast of characters. This gentle natured, often sweet and romantic, while still serious original Netflix series may deal with some dark issues such as death, abuse and drugs, but it is never too melodramatic nor too saccharine. It’s slow pace is welcome and soothing in times like these, while the chemistry between leads Alexandra Breckenridge and Martin Henderson is palpable, natural and gentle. There are definitely some similarities to the show Hart of Dixie, particularly with the concept and in Tim Matheson’s character of Dr. Mullins who is very similar to his Hart of Dixie character Dr. Breeland, but there are differences for sure. However in both instances Matheson is wonderful, as is his on screen sparring partner Annette O’Toole. There is so much to love from the Zen like beautiful scenery, to the characters that are salt of the earth, good people. But what is truly exceptional is the compassionate, realistic, thoughtful and sensitive way it handles the grief and trauma of Mel and Jack’s characters especially. Virgin River is about healing and second chances and it thoroughly captured my heart.
Fuller House (Netflix)

Bringing its series run to a close, the affable, unabashedly corny and sweet natured reboot Fuller House ended on a lovely and often hilarious note with a finale I actually enjoyed more than the original series finale. Further misadventures of the Tanner, Fuller, Gibbler extended family which included a delightful musical proposal that was 20+ years in the making, and a triple wedding for the She-Wolf pack and their true loves, I love every minute in abundance, so much so that once finished, a few weeks later, I restarted and binged the entire series over again. And it not only improved upon with repeat reviewing but it was the balm my soul needed during a rough time. What I love is that it normalizes close knit families who choose to spend their lives together and raise their families as a unit, and that affectionate and loving relationships are not only romantic. Friendship and family are just as important for our souls and I think living in a Fuller House is something to aspire to.
Emily in Paris (Netflix)

Another welcome balm was the frothy, colorful, and delightful Emily in Paris, led by the lovely and amiable Lily Collins. From the creator of Sex and the City I like to call this a lighter version with similar aesthetics and mindsets, but we trade in New York for the gorgeous Parisian life, from sidewalk cafes , to Classic architecture, to the Eiffel Tower herself. When we see Paris in films and TV, it often will spark that desire of wanderlust and have us dreaming of falling in love, eating delicious French pastries and wandering luminous cobblestone streets of the City of Lights. Emily in Paris certainly makes the city look like an incandescent dreamy painting of France’s jewel. But beyond this beauty, what I loved about this series was its familiarity in its romantic, comedic and feminist tropes. It’s not groundbreaking storytelling and that’s okay. What it does is show a relatable young woman who is learning to navigate a job she is more than capable of doing in a place she is completely unfamiliar with. She’s a combination of naïveté, confidence, intelligence. And while romance is a key player, (the French are known for their amorous people after all), it is the friendships that are superlative and sometimes complicated, that make the show, especially with the first friend Emily makes portrayed by the wonderful Ashley Park. Moreover, it’s Emily who is effervescent and feisty who works hard at her job no matter what’s thrown at her, all of which strikes a chord because of the actors, especially Collins. Emily in Paris explores the often shallow nature of social media and influencers, but never completely mocks them either. Rather, it highlights and exposes the authentic and artifice of the modern world and that we should find a way to enjoy our lives in happy and genuine ways, which can include taking that perfect photo for Instagram.
Zoey’s Extraordinary Playlist (NBC)

Creative and effervescent, brimming with talent and color, as well as real and relatable emotions and issues surrounding the pain of loss and grief, insecurities, and love unrequited, long lasting and otherwise, Zoey’s Extraordinary Playlist is a breath of fresh air. Any lover of musicals will adore this show about a girl who, after an earthquake during an MRI, can suddenly hear people’s inner most thoughts through song. It causes many wacky moments as well and ones of sorrow, and uses this concept as a way of expressing how universal a language music can be. Zoey hears everyone’s “heart songs,” and it makes you believe in the power of music, and how it can deeply help us cope with whatever we are feeling: love, joy, fear, sadness. There is also this question to ponder: what would be on your playlist at any given moment? And for the record in case you were wondering: I am Team Max!!
Dash and Lily (Netflix)

Dash & Lily provided some adorable, cozy and sweet Christmas comfort at the end of the year for certain. Undoubtedly modern in its style and wonderfully diverse cast, it’s also filled with classic rom com tropes and sensibilities. The characters are young but I would venture to guess that The Shop Around the Corner/You’ve Got Mail-esque story involving a pair of would be lovers who write letters, notes and scavengers hunts in a red notebook, helping each other heal and be brave, is relatable to people of all ages. Fair warning- it’s the type of show you could watch in one sitting. I did it in two. But it’s addictive and a sweet cup of Yuletide romance.
Bridgerton (Netflix)

The show that was all the Buzz at the end of 2020 and continuing into the new year, Bridgerton was another fun, frothy and gorgeous looking romantic romp that again may not be the most groundbreaking storytelling but does offer new and exciting diversity and vitality into the Period Drama genre while giving the audience all the romantic tropes we love to indulge in and get swept away by. Highly addictive, well acted, and a beautiful feast for the eyes that could feed an entire village. Although I think some loved it more than I, and it’s more racy and explicit than my typical viewing, that didn’t prevent me from being captivated by the complicated and tantalizing love story of Simon and Daphne filled with fake dating, deception and loving desire, the complicated but swoon worthy Anthony as he struggles with letting go and finding his true place in the world, the sublime wit of Eloise and sweet earnestness of Penelope and their sweet friendship, the divineness of the likes of Lady Danbury and the Queen Charlotte herself, to speculating who town gossip Lady Whistledown truly was. From the wonderful cast, to the lovely rainbow colored costumes, to the landscape and cinematography, breathtaking with a fluidity and movement that was glorious to watch, there was an abundance to admire in Bridgerton. And the reveal of Whistledown was truly a great twist!
The Haunting of Bly Manor (Netflix)

The Haunting of Bly Manor was not something I planned on watching as I am a self proclaimed “scaredy-cat,” but I do enjoy gothic mysteries and spooky stories such as The Others, and I couldn’t help but be drawn into this story that was loosely based on the works of Henry James, most notably The Turn of the Screw. It was mysterious and scary with a wonderful cast, especially its child performers (and my personal favorites being Rahul Kohli and T’Nia Miller), with a surprisingly touching love story that ended the mini-series on a very poignant note.
Will and Grace tribute to I Love Lucy (NBC)

Admittedly I fell behind on the Will & Grace reboot and have yet to catch up, but when I heard they were doing a tribute episode devoted to my all time favorite show I Love Lucy, I knew I had to tune in. And it did not disappoint as a part hilarious homage, part spoof, part spot on recreation of famous moments from the comedy series, while bringing in touches that only the Will & Grace characters can do. Who played Lucy, Ricky, Fred and Ethel changed and Lucy and Desi’s daughter Lucy Arnaz made a special appearance in the delightful tribute.
Documentary Series
The Imagineering Story (Disney+)

While many of you may have watched this extensive, fascinating emotional series right away, I savored this show during 2020. Directed by Leslie Iwerks (the daughter of Disney legend Ub Iwerks), each episode tackles a different era of Disney Parks, from the inception of Disneyland, to the parks in Asia, all the way up to Star Wars Galaxy’s Edge. If you are a fan of Disney history and seeing all the creative ingenuity it takes to make some of the most innovative and breathtaking pieces of living art there is, then you will easily become engrossed in this captivating and very honest six part documentary. I admittedly cried and was moved a great many times, as well as surprised and in awe of not only the very revealing details, stories and footage unknown to me previously , as well as marveling at the masterful creative of these individuals. Lovers of Disney and theme parks alike will no doubt be completed mesmerized by The Imagineering Story.
Prop Culture (Disney+)

Like The Imagineering Story, Prop Culture is thoroughly engrossing, interesting and taps into nostalgia and emotions, but possibly even more so. As someone who devours behind the scenes footage and documentaries about the making of film and television (I have The Lord of the Rings Extended Editions Appendices DVD sets to thank for sparking that love), and someone who is fascinated with the research and artistry of props, textiles, etc, Prop Culture is the ideal show. Each episode features collector Dan Lanigan as he travels around the world meeting with creators, artists and actors alike connected to whichever film the episode is devoted to including Mary Poppins, Pirates of the Caribbean, The Chronicles of Narnia, The Nightmare Before Christmas, Who Framed Roger Rabbit, Honey I Shrunk the Kids and The Muppet Movie. Engrossing and funny with the ability to make you shed some tears, this show reached into my heart and took up permanent residence.
The World According to Jeff Goldblum (Disney+)

Another Disney+ docu-series that brought such joy to my household was The World According to Jeff Goldblum with each episode being about something simple, or some may even say mundane such as denim, bicycles, pools or ice cream. But using each broad topic as a jumping off point, we are treated to both a history and modern exploration with the unique and quirky way that only Goldblum could do. He is one of a kind. But each experience is not only interesting but also sweet, informative, entertaining and featuring good natured, hard working, creative and joyful everyday folks.
TV Movie
Psych 2: Lassie Come Home (Peacock)

After the dramedy/mystery show Psych ended in 2014, I was completely satisfied but knew there was always a possibility for more. After the success and love for the first Psych movie in 2017, I was thrilled when a second was announced. Although we had to wait for Timothy Omundson to recover so they could include Lassiter the way he deserves, it was more than worth it. Psych 2: Lassie Come Home picks up right where the first left off with Shawn and Gus and their antics, but now Shawn and Juliet are now happily married, while Gus has finally found his other half in the formidable Selene. The dynamic crime solving duo aid in the search of who shot Detective Lassiter, and we see the hilarious one liners and silliness we’re used to and love, while the story involving Lassiter’s recovery involving remembering the lessons his father taught him including never giving up despite our struggles was deeply touching.
Dolly Parton’s Heartstrings “JJ Sneed”(Netflix)

Dolly Patton’s Heartstrings TV movies, each one based on one of her songs is something I want to tackle more of in 2021. But in 2020 I only got to “JJ Sneed” for one unsurprising reason- it stars Once Upon a Time’s Colin O’Donoghue in the title role of the handsome and charismatic outlaw. As someone who loves a good classic western and O’Donoghue as a performer, especially when he shows his range which he did here as someone who can be charming and witty one moment and then ruthless, selfish and dangerous the next, “JJ Sneed” was quite entertaining especially seeing that Sneed meets his formidable match in the clever woman who literally gives him a run for his money. There’s room for more story here and I do hope we see it.
TV Christmas Films
Each year we see many Christmas films on television but most especially, The Hallmark Channel has become a staple in Holiday entertainment providing an abundance of films that are no doubt formulaic and full of common tropes- and that’s what we love about them. They are cozy, happy fare and their consistency in storytelling can provide a tremendous source of comfort. And when we combine that with likable performers it’s a lovely combination. Although there were some I didn’t manage to get to, those I did were all excellent and some of the best I have seen in years.

The Christmas Waltz paired Hallmark Channel darling, the immensely talented Lacey Chabert, with Reign’s equally talented and charming (not to mention handsome) Will Kemp in a sweet and inspiring story of how dance, kinship and belief in yourself can help your heart heal and inspire you to reach for your dreams and be your best self. The chemistry between the two is lovely and the nods to classic musicals made this one sheer delight from curtains to the final bow.

Speaking of natural and lovely chemistry, this was beautifully exemplified between Broadway veterans Laura Osnes and Aaron Tveit, two exceptionally talented performers whose talents shined through in the sweetly romantic One Royal Holiday. This type of story between your average girl meeting a prince of some fictional kingdom had been seen a lot, but this may be the gentlest and dare I say most natural, cozy and funny of them all as we see a royal family spend time with a dedicated nurse at her Father’s Bed and Breakfast for the holidays. We see how love, compassion and kindness are the most beautiful and magical things in this world, and the strength they can bring us. It is an unabashedly romantic gift wrapped with sparkling paper and tied with a shimmering bow complete with snowball fights, carriage rides, perfectly choreographed waltzes and one clever nod to Cinderella whom Osnes portrayed on Broadway. One Royal Holiday is a treat I want to indulge in every year.
Holding the spot of the funniest of the year, and one of the funniest Hallmark has ever produced, Five Star Christmas, which stars Bethany Joy Lenz and Victor Webster actually had me laughing out loud as a family masquerades as guests at a bed and breakfast in order to impress whom they think is a renowned travel writer. It is funny for sure, but the quieter moments are wonderful too, with a little Elvis Presley tribute that left me grinning from ear to ear.
Christmas by Starlight paired Paul Campbell and Kimberly Sustad once again in a sweet natured and extremely relatable love story with the plot being one of trying to save a family business that we’ve seen before but with the great chemistry and likability of Campbell and Sustad who bring something special to the table.
The Christmas Carousel is another royal story but the lovely Rachel Boston and Neal Bledsoe have gentle banter between them, and the carousel that grants wishes helps bring them together as well as push them to find their path in life. Perhaps it’s my love of carousels and these actors that drew me in the most.

Christmas Comes Twice was another familiar story of the chance live and redo a part of your life over again- to fix your mistakes and get your life back on track. The difference is a more diverse cast including Tamera Mowry-Housley and Michael Xavier who were fantastic together. Mowry’s character is driven, kind and smart but also willing to admit her mistakes. And the way she is able to find her heart and have a second chance to tell her mentor how she changed her life, as well as find love in an unexpected place with her childhood rival was all a beautiful package.

A Timeless Christmas was a sweet and more unique concept with the handsome and underrated Ryan Paevy as the inventor and man out of time who meets lovely Erin Cahill as the kind and intelligent woman who helps him discover where he truly belongs, finding the right path for herself along the way. If you love Kate & Leopold this charmer is for you.
Cross Country Christmas was a funny romp through a winter wonderland as two former high school acquaintances fall in love while trying to back to their home town- many a difficultly thrown their way. The always cheery but feisty Rachel Leigh Cook soars well with Grayston Holt were wonderful in this adorable flick.
Lastly, A Little Christmas Charm with Ashley Greene and Brendan Penny has an old fashioned, for lack of a better word, charm to it, showcasing the true beauty of love stories, the great fun of solving a mystery, the craftsmanship of jewelry making, and the importance of finding, as they say in Tangled, your new dream, whatever it is and whoever it’s with. And if you can find it at Christmas then it’s all the more magical.
Re-watching and Rediscovering Classic Shows
There was also television that wasn’t new to me but brought a sense of comfort, joy, stability and anticipation. Starting with shows I hadn’t watched since they originally aired, I started two teen dramas that I loved back in the day: Felicity and Dawson’s Creek. I haven’t gotten through them yet but hope to this year.
A show I did finish, or more accurately quickly consumed with gusto was Alias, a show I remember loving but except for a few plot points, did not retain much of. So it was almost like watching it for the first time and I loved every thrilling moment. It would be fun to go in depth sometime but for now my few key takeaways are: Sydney and Vaughn are one of my favorite couples and definitely have OTP status, but I must admit to liking Bradley Cooper’s Will a bit more and a part of me would have been good if they explored a Sydney and Will relationship. Also Will’s character deserved better. RIP Francie, #NoCoffeeIceCream and Merrin Dungey is amazing! David Anders is so good at being swarming yet charming jackass. Can Greg Grunberg be in everything? The Sydney and Dixon friendship is one of the greatest ever and Dixon is low key my favorite on the show besides Sydney. Jack Bristow is one of the greatest and most badass TV Dads ever and I weeped during so many of his moments. On the opposite end, Irina and Sloane and two of the worst parents ever and show the dangers of obsession with power. #NadiaDeservedBetter. And lastly, Alias is what made me a fan of Jennifer Garner which I still am one today, and Sydney Bristow is a remarkable woman. She is a kick-ass, kind and intelligent superwoman and I want to be her when I grow up!

Similarly to Alias, the other show I rewatched for the first time was The Mentalist, a show that was high on my list of Favorites of the Decade, with one of the greatest characters ever in Patrick Jane. Like Alias, watching it in quick succession not only seems to improve the quality of the show, but makes it easier to follow and therefore more enjoyable. The last two seasons after the discovery of Red John’s identity made big changes, and I definitely missed Rigsby and Van Pelt, but it ended on such a high note with Jane and Lisbon’s happily ever after as one of the most satisfying finales ever.
Other shows I rewatched were ones that go to frequently because I love, love, love them and all had too short of a series run: Timeless, Smash, Pan Am, Forever and Once Upon a Time in Wonderland, each bringing such joy to revisit.
Cast Reunions and Fun
The Cast of Chuck Virtual Table read of “Chuck vs. the Beard”
The year 2020 brought many casts back together for virtual reunions, and this one where the Cast and Crew of one of my all time favorite shows Chuck came back together for a table read of the episode that was star Zachary Levi’s directorial debut was an absolute delight as these individuals clearly all still adore each other, but also haven’t missed a beat, stepping right back into their characters like it was yesterday. If you love this show and want a heartfelt laugh, check out their reunion here: https://youtu.be/ZAZfE6OHSb0
Parks and Recreation Reunion and New Episode reading
Speaking of not missing a beat and stepping right back into stride, the cast and writers of Parks and Recreation brought us a brand new episode of the sitcom that focused on how each character was handling the social distancing that was required during the pandemic and bringing the heart and silliness we expect from this loveable group of characters from Pawnee, Indiana. This warmed my heart and was like seeing an old friend we’d early missed and got right back into normal conversation. This was adorable. You can watch it here: https://youtu.be/FxX6snjZB2c
What were favorite you watched on television in 2020? Did I mention any here!! Let me know in the comments!








































































Christmas films on television have been a staple of the season and more and more seem to be made every year. We know they can be predictable, filled with common romantic tropes, and may be a little corny. But in today’s day in age, these can be welcome and lovely things and that is often what these films provide: sweet and heartfelt escapism wrapped in cozy and festive warmth. In this year’s abundance of holiday fare, 5 in particular stood out.
It’s been a while since I’ve found a comedy that is light and sweet and truly makes me laugh out loud. What I want most when watching a sitcom however is to feel happy watching it, and just like its namesake, I most certainly do. A great deal of this show’s charm is due in no small part to the its leads, the hilarious and charming Damon Wayans Jr. (whom I just adore in everything he does) and Amber Stevens West, an equally funny and effervescent scene partner. The two play a happily married couple who are simply adorable in that they feel like a real couple in their natural chemistry and attempts to seem cool for their house guest, an Australian pop star they open their home up to when he wants to feel normalcy in his life. Rounding out the laughs come from Stephanie Weir and Victor Williams who play West’s parents, two doctors with no filter and a lot of time on their hands now that they’re retired. The show is wacky but heartfelt and always leaves me feeling good. I hope more audiences discover this show because it’s a sheer delight.
Full disclosure, when the second season of The Marvelous Mrs. Maisel was released at that end of 2018, I binged watched the first and second season in extremely quick succession, so this praise is a bit about both seasons. Forever a fan of Amy Sherman Pallidino’s Gilmore Girls, I am not surprised how much I adore this similarly fast talking, delightful, colorful and sweet, meaningful and poignant, funny and effervescent, female empowering, and yes completely marvelous, series. Each episode is like stepping into a candy colored, bubbly musical time machine to the 1960s which is fun and lively, but not without turmoil or drama. At times it feels heightened in true Pallidino style, at other times completely grounded in very real, relatable truths about life. The best comedians are ones that observe life and can find humor in the everyday, and that is what Miriam, aka Midge does, who stumbles into comedy after her husband leaves her out of the blue and she learns to picks herself up and discovers even more about herself along the way. She has to fight to be accepted and that is something that a modern audience can still relate to. Led by incredible Rachel Brosnahan, the show’s second season continues on what season 1 so well established, but continues to grow and evolve as Midge struggles in finding her place while not losing what is important to her, while her family is dealing with their own issues that relate not only to Midge but their own journeys in life. It’s lovely and fun, moving and marvelous! p.s can we please bring back the name Midge, because it’s too cute.
For fans of This is Us, 2018 will always be the year that finally revealed how Jack Pearson died, and it was as heartbreaking and tough to watch as we imagined. The cause was something so trivial as a malfunctioning crock pot, but the reason was something that is embedded into Jack’s character- putting others and what they care about above himself, even sacrificing his own safety. And the fact that it was delayed, giving the Pearson’s (and the audience) a false sense of peace and relief made it all the more devastating. And it’s the moment that Rebecca’s learns and sees her husband is gone that will remain one of the most heart wrenching (and brilliantly performed of the series). But Jack’s death wasn’t the only thing that was profound about This is Us in 2018. On the contrary, each and every interweaving and multi-generational storyline was captivating to watch, from the beginning of Rebecca and Jack’s love story, to his time in Vietnam with his brother, to Kate and Toby’s journey to have a child, and their individual journeys dealing with job woes and depression, to Randall and Beth’s struggles as they foster a child and begin and end careers, to Kevin’s evolving film career and desire to learn more about his father, and to the mysterious twists and time jumps, the lives of the Pearson family remain ones that are ever relatable and moving.
The Good Place is one of the cleverest, funniest, sweetest and most profound shows on television, with one of its finest qualities being that in its absurdity lies relatable truths and complexities about choices, free will, and the human condition- with both characters that are and are not human, which is remarkable. It tugs at our heartstrings and makes us laugh so hard we cry. The cast is absolutely stellar and hilarious while managing to infuse authenticity in the more grounded moments with each other- in both season 2 and 3- especially as this group travels back to earth and must learn about themselves and what it means to be, most especially, an empathetic person. Like Michael Shur’s previous shows, this series, infuses heart and realism, in this case despite the concept, and everyone who watches is all the better for it. The Good Place is utter joy.
Intriguing, melancholy, gripping, and thought provoking, the comparisons to LOST were inevitable, but let it be said that Manifest is its own show and one that mixes and perfectly balances unexplained phenomena, crime procedural and family drama, matched with an impressive cast led but the wonderful Josh Dallas and Melissa Roxburgh as brother and sister Ben and Michaela Stone, who returned home to a world that had changed so much. Of course we all want to know what happened to Flight 828 that caused them to somehow become lost in time to the rest of the world and lose 5 years. Ben and his son return to a family that grieved and grew and learned to move on, Michalea heartbreakingly returned to learn the man she was planning to marry, has now married her best friend. Ben’s son Cal, who had been suffering from cancer, returns home and miraculously begins responding to treatment. But in truth it’s not just the Stone family drama that leaves us so captivated. It’s also the questions of what caused this anomaly and is there some grand conspiracy behind everything? But most especially one of the most profound aspects of Manifest is that it leaves the audience with the question of “what if?” What if you returned to a world much changed and how to do begin to live your life again where it feels like you have been left behind or no longer fit? And if you are beginning to feel a purpose (which we see in the callings each of the passengers experiences) in a way that cannot rationally be explained, do you follow or fight it? The contrasting perspectives of Ben and Michaela, and the ways they all seem connected showcase these questions beautifully and intriguingly so, and make this show not only one of the best new shows, but best overall shows of the year.
The Netflix original series based on the children’s books of the same name is dark and filled with gruesome scenarios that befall the unfortunate Baudelaire orphans, and yet it remains sweet and touching. If you are a fan of the series Pushing Daisies, you will no doubt enjoy this one as well as it is not only similar in tone and visuals, but it also shares director and executive producer Barry Sonnenfeld. The first season was incredible and so too was 2018’s second season. The highlights of the series include a steampunk-esque visual feast for the eyes, its intelligent writing, which actually gives you vocabulary lessons in each episode in a way that is so entertaining you crave it, hilarious absurdity, and an amazing cast of both leads (led by incredible Neil Patrick Harris and the fantastic group of Baudelaire siblings Malina Weissman, Louis Hynes and Pressley Smith) and guest stars (which in Season 2 includes Nathan Fillion, Tony Hale and Sara Rue.) The story of the Baudelaire children may be an unfortunate one but you will not want to “look away” as the theme song and narrator (the wonderfully sardonic Patrick Warburton) often advises the audience to do. Instead you find yourself deeply invested and rooting for these children who are wise, mature and intelligent beyond their years not only in terms of being well read and clever but emotionally as well. The three all have their special strengths that they utilize as they continuously must escape the clutches of Count Olaf surrounded by people who will not always listen, while trying to maintain their own courage, faith and humanity. The contrast of the absurd situations, breathtaking visuals and profound meaning of this material is astonishing. And having watched Season 3 already, it’s an indisputable truth that A Series of Unfortunate Events will also be on next year’s list for the best in television.
With the exception of the show that is at #1 on this list, it’s been a long time, since a series has so quickly and thoroughly captivated me from the very beginning. Between the amazing cast, beautifully locales and exquisite cinematography, there is so much to be mesmerized by. Although I have watched similar media at times, I would never call myself someone who LOVES witches or vampires or the supernatural the way some do, but perhaps that is because, while A Discovery of Withes is undoubtedly about witches, vampires and demons existing right alongside side us who are completely unaware of their existence, in truth these really feel like a metaphor for what every human can experience, relate to, or sympathize with: fear, prejudice, courage, friendship and above all else love. For this show is about learning to cast aside those fears and prejudices and learn that we all equal, because we all can universally understand the desire and right to be accepted and loved. And this series is most especially a love story- a kind of Romeo and Juliet love story between a witch and a vampire, two species who have always been on opposite, adversarial sides, who are instantly drawn to each other and form a unbreakable bond and love that transcends all, and defies obstacles, and proves that LOVE knows no bounds. The love story between Diana Bishop and Matthew Clairmont is already a beautiful and profound one that I am certain will continue to enthrall in the coming seasons as there will be one for each of Deborah Harkness’s All Souls Trilogy. Both strong, passionate characters, who are surrounded by equally enthralling characters, Diana and Matthew love and protect each other with and open heart, a mutual respect and admiration, and a strength to overcome all that might separate them, because blood may be crave worthy, and fear may be easier than bravery, but love is what truly satiates every thirst or desire, fuels our inner courage, and ignites our very souls.
Timeless is a magical show. And although 2018 brought the series to a close, it will live on in a way that is immeasurable. This series is the perfect blend of adventure, history, humor, drama and mystery with amazing characters and relationships. Timeless brings history to life with both well known figures, but also nuances and individuals who are not, illuminating eras and inspiring people, while managing to enthrall its audience, never going for cheap shocks but rather interesting twists. It’s a labyrinth of wonder and the way it continued in 2018 with its second season was the most magical part of television in 2018. Season 2 may have done some things a bit differently with a bit less focus on the “Time Team” unit together on missions, but the individuals highlighted such as Hedy Lamarr, Alice Paul and Robert Johnson, and evolving relationships still remained the heartbeat of the show, encapsulated in the series finale movie where saving Rufus was paramount, Wyatt and Lucy finally came together in love and Flynn went on his incredible final journey of heroics and redemption- all of which were not only captivating but so moving. The show’s ending montage set to Joseph William Morgan’s cover of the song “Time After Time” resulted in many a tear, as we watched the beautiful journey of all of these characters through time: The love, the loss, the strength, the courage, the perseverance, the belief in each other, and the hope for a beautiful future where history is not forgotten, but preserved, and learned from laying the foundation for whatever is yet to be. And above all you see that history is made up not only of events but people. In this case it’s a about professors, scholars, soldiers, scientists, inventors, mothers, fathers, brothers, sisters, daughters, sons. Heroes. This moment was a exquisite showcase of what makes this show so profound, special, and above all Timeless.



















































